Hann-Windowed Complex Sinusoid
Use of a Blackman Window
Use of a Blackman Window
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Now let's apply the Blackman window to the sampled sinusoid and
look at the effect on the spectrum analysis:
% Windowed, zero-padded data:
n = [0:M-1]; % discrete time axis
f = 0.25 + 0.5/M; % frequency
xw = [w .* cos(2*pi*n*f),zeros(1,(zpf-1)*M)];
% Smoothed, interpolated spectrum:
X = fft(xw);
% Plot time data:
subplot(2,1,1);
plot(xw);
title('Windowed, Zero-Padded, Sampled Sinusoid');
xlabel('Time (samples)');
ylabel('Amplitude');
text(-50,1,'a)');
% Plot spectral magnitude:
spec = 10*log10(conj(X).*X); % Spectral magnitude in dB
spec = max(spec,-60*ones(1,nfft)); % clip to -60 dB
subplot(2,1,2);
plot(fninf,fftshift(spec),'-');
axis([-0.5,0.5,-60,40]);
title('Smoothed, Interpolated, Spectral Magnitude (dB)');
xlabel('Normalized Frequency (cycles per sample))');
ylabel('Magnitude (dB)'); grid;
text(-.6,40,'b)');
Figure 8.6 plots the zero-padded, Blackman-windowed sinusoid,
along with its magnitude spectrum on a dB scale. Note that the first
sidelobe (near
dB) is nearly 60 dB below the spectral peak (near
dB). This is why the Blackman window is considered adequate for
many audio applications. From the dual of the convolution
theorem discussed in §7.4.6, we know that
windowing in the time domain corresponds to smoothing in
the frequency domain. Specifically, the complex spectrum with
magnitude displayed in Fig. 8.4b has been convolved with
the Blackman window transform (dB magnitude shown in Fig. 8.5c).
Thus, the Blackman window Fourier transform has been applied as a
smoothing kernel to the Fourier transform of the rectangularly
windowed sinusoid to produce the smoothed result in Fig. 8.6b.
Figure:
Effect of the Blackman window on the
sinusoidal data.
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Hann-Windowed Complex Sinusoid
Use of a Blackman Window
Use of a Blackman Window
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``Mathematics of the Discrete Fourier Transform (DFT)'',
by Julius O. Smith III,
W3K Publishing, 2003, ISBN 0-9745607-0-7.
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Copyright © 2003-10-09 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),
Stanford University
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