Reconstruction from Samples The Math
Introduction to Sampling
Introduction to Sampling
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Figure G.1 shows how a sound is reconstructed from its
samples. Each sample can be considered as specifying the
scaling and location of a sinc function. The
discrete-time signal being interpolated in the figure is
a digital rectangular pulse:
The sinc functions are drawn with dashed lines, and they sum to
produce the solid curve. An isolated sinc function is shown in
Fig. G.2. Note the ``Gibb's overshoot'' near the corners of the
continuous rectangular pulse in
Fig. G.1 due to bandlimiting. (A true continuous rectangular
pulse has infinite bandwidth.)
Figure:
How sinc functions sum up to create
a continuous waveform from discrete-time samples.
 |
Notice that each sinc function passes through zero at every sample
instant but the one it is centered on, where it passes through 1.
Figure:
The sinc function.
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The sinc function is the famous ``sine x over x'' curve, defined by
sinc
where
denotes the sampling rate in samples-per-second (Hz), and
denotes time in seconds. The sinc function has zeros at all the
integers except 0, where it equals 1.
Reconstruction from Samples The Math
Introduction to Sampling
Introduction to Sampling
Contents
Global Contents
Global Index
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``Mathematics of the Discrete Fourier Transform (DFT)'',
by Julius O. Smith III,
W3K Publishing, 2003, ISBN 0-9745607-0-7.
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Copyright © 2003-10-09 by Julius O. Smith III
Center for Computer Research in Music and Acoustics (CCRMA),
Stanford University
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