A signal which has no negative-frequency components is called an
analytic signal.4.7 Therefore, in continuous time, every analytic signal
can be represented as
Any sinusoid
in real life may be converted to a
positive-frequency complex sinusoid
by simply generating a phase-quadrature component
to serve as the ``imaginary part'':
For more complicated signals which are expressible as a sum of many
sinusoids, a filter can be constructed which shifts each
sinusoidal component by a quarter cycle. This is called a
Hilbert transform filter. Let
denote the output
at time
of the Hilbert-transform filter applied to the signal
.
Ideally, this filter has magnitude
at all frequencies and
introduces a phase shift of
at each positive frequency and
at each negative frequency. When a real signal
and
its Hilbert transform
are used to form a new complex signal
,
the signal
is the (complex) analytic signal corresponding to
the real signal
. In other words, for any real signal
, the
corresponding analytic signal
has the property
that all ``negative frequencies'' of
have been ``filtered out.''
To see how this works, recall that these phase shifts can be impressed on a
complex sinusoid by multiplying it by
. Consider
the positive and negative frequency components at the particular frequency
:
Now let's apply a
degrees phase shift to the positive-frequency
component, and a
degrees phase shift to the negative-frequency
component:
Adding them together gives
and sure enough, the negative frequency component is filtered out. (There is also a gain of 2 at positive frequencies which we can remove by defining the Hilbert transform filter to have magnitude 1/2 at all frequencies.)
For a concrete example, let's start with the real sinusoid
The analytic signal is then
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Figure 4.8 illustrates what is going on in the frequency domain.
While we haven't ``had'' Fourier analysis yet, it should come as no
surprise that the spectrum of a complex sinusoid
will
consist of a single ``spike'' at the frequency
and zero
at all other frequencies. (Just follow things intuitively for now, and
revisit Fig. 4.8 after we've developed the Fourier theorems.) From
the identity
, we see that the spectrum contains unit-amplitude
``spikes'' at
and
. Similarly, the
identity
says that we have an amplitude
spike at
and an amplitude
spike at
. Multiplying
by
results in
which is a unit-amplitude ``up
spike'' at
and a unit ``down spike'' at
. Finally, adding together the first and third plots,
corresponding to
, we see that the two up-spikes
add in phase to give an amplitude 2 up-spike (which is
), and the negative-frequency up-spike in the cosine is
canceled by the down-spike in
times sine at frequency
. This sequence of operations illustrates how the
negative-frequency component
gets filtered out
by the addition of
and
.
As a final example (and application), let
,
where
is a slowly varying amplitude envelope (slow compared with
). This is an example of amplitude modulation applied to a
sinusoid at ``carrier frequency''
(which is where you tune your AM
radio). The Hilbert transform is almost exactly
,4.9 and the analytic signal is
. Note
that AM demodulation4.10 is now nothing more
than the absolute value. I.e.,
. Due to this
simplicity, Hilbert transforms are sometimes used in making
amplitude envelope followers for narrowband signals (i.e., signals with all energy centered about a single ``carrier'' frequency).
AM demodulation is one application of a narrowband envelope follower.